1868-1940 French Edouard Vuillard Galleries Jean-Edouard Vuillard, the son of a retired captain, spent his youth at Cuiseaux (Saone-et-Loire); in 1878 his family moved to Paris in modest circumstances. After his father\'s death, in 1884, Vuillard received a scholarship to continue his education. In the Lycee Condorcet Vuillard met Ker Xavier Roussel (also a future painter and Vuillard\'s future brother in law), Maurice Denis, musician Pierre Hermant, writer Pierre Veber and Lugne-Poe. On Roussel\'s advice he refused a military career and entered the Ecole des Beaux-Arts, where he met Pierre Bonnard. In 1885, Vuillard left the Lycee Condorcet and joined his closest friend Roussel at the studio of painter Diogene Maillart. There, Roussel and Vuillard received the rudiments of artistic training.  Related Paintings of Edouard Vuillard :. | Breakfast | Nail Beautification Division | LanWei portrait | Rightek s doctor | self portrait |
Related Artists:
Bartolomeo Vivarini
Venice ca 1432-after 1491
Michele da Verona
(Michele di Zenone) (born 1470) was an Italian painter of the Renaissance period. He was born in Verona, a contemporary of Paolo Morando(Cavazzola), and may have assisted him in the decorative work for San Bernardino there. Inside the portal of San Stefano, Milan, is a large Crucifixion signed by him in 1500, and formerly in the Refectory of San Giorgio, of Verona. The same subject, dated by him in 1505, is in Santa Maria in Vanzo, Padua. In both pictures there is an imitation of the manner of Jacopo Bellini. In the church of Santa Chiara, Verona, are frescoes representing the Eternal, with Angels, Prophets, and the four Evangelists, dated 1509. Frescoes of later dates exist in the churches of Vittoria Nuova and Sant' Anastasia; while in the church of Villa di Villa, near Este, is a Madonna and Child, between SS. John the Baptist, Lawrence, Andrew, and Peter dated 1523.
Giovanni Paolo Lomazzo
1538 - 1600 was an Italian painter, belonging to the second generation that produced Mannerism in Italian art and architecture. Gian Paolo Lomazzo was born in Milan from a family emigrated from the town of Lomazzo. His early training was with Giovan Battista della Cerva in Milan. He painted a large Allegory of the Lenten Feast for San Agostino in Piacenza (1567). He also painted an elaborate dome with Glory of Angels for the Capella Foppa in San Marco in Milan. He also painted the Fall of Simon Magus in the wall of the chapel. Lomazzo became blind in 1571, and turning to writing, produced two complex treatises that are milestones in the development of art criticism. His first work, Trattato dell'arte della pittura, scoltura et architettura (1584) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity, which controlled a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable; Lespingola offered a systematic codification of esthetics that typifies the increasingly formalized and academic approaches typical of the later sixteenth century. His less practical and more metaphysical Idea del tempio della pittura ("The ideal temple of painting", 1590) offers a description along the lines of the "four temperaments" theory of the human nature and personality,